Dessin puriste (1925)

This is another response to an individual work, a copy of which can be found in Krauss’ book, The Picasso Papers. Before I get to this, though, let me offer some quick notes to the essay, “The Circulation of Signs.” Krauss brought up an interesting issue in the introductory essay, while discussing Picasso’s work in…

Landscape with Posters (1912) Part 2

This is continued from the previous post, Landscape with Posters (1912). Seeing the finished work can be overwhelming, and I think that’s part of its appeal. You can get lost in it. So while making a copy, I was pleasantly surprised to see the picture open up to me. In order to find a starting…

Landscape with Posters (1912)

This is a post relating to the book, The Picasso Papers, by Rosalind E. Krauss. Please see my two previous posts: Violin (1912) and All signs lead to Picasso. Here are some notes on Landscape with Posters (1912). When looking at any scene, all the lines are at a variety of angles, but Picasso allows himself…

Violin (1912)

The Picasso Papers, by Rosalind E. Krauss. Continued from All Signs Lead to Picasso. In her first essay, “Circulation of Signs,”Krauss offers responses to individual works. So, likewise, I’ve decided to offer my own thoughts on Picasso’s Violin (1912), along with a couple of Krauss’ ideas which I found technically useful.  The work as a…

All signs lead to Picasso.

Will I ever tire of Picasso? NEVER. I’ve started reading The Picasso Papers, by Rosalind E. Krauss. It was published in 1999, so I’m a little behind… but no worries. Picasso is often seen as the father of modern art, so an in-depth consideration of his work is an easy bridge to thinking about modern art…