On the Subject of Style

I wanted to talk about style but quickly realized I couldn’t make any generalizations, because it’s so personal and subjective. Instead, I found myself looking at where I am as an artist.

I

I wrote the following description of my work a few months ago and it still holds true.

I like to look at what the most basic component of a drawing can do. EG, flow of a line or variations in line quality. There is often an interaction between two or more components: between the colors of each and/or how each occupies space. There may be a definable subject, like a vase or flowers. But I’m not exploring what an actual vase or flower looks like. I am exploring what the elements that compose the subject can do: the style of line, how it depicts the subject, how it may vary in what emotions it may elicit from the style itself.

When I consider color, I want the surface to get as much attention as the medium. So how smooth or textured a surface is can influence what medium I choose. It becomes one component that can interact with other components of the work.

Overall, my drawings are a meditative process as I mark the surface line by line. It is about interactions as much as it about rhythm.

It’s good to explore, but I think style goes beyond this; also, I might maintain some intent for a handful of works but then I’ll move on to something else. So my attempt at writing an artist statement above may have been premature.

Maybe a sense of style will reveal itself after a culmination of many works over time. It may require I get some distance from my work to see what path I’ve been on.

II

I’ve been thinking about how to create mood, and I find that watercolor helps me express a mood I currently enjoy as artist and audience. It’s often where I am or where I want to be, mentally.

I created color cards the other day, and the process of simply applying the medium to a surface was soothing and showed me the potential for larger works.

Color Cards for E-Sumi watercolor series Shadow Black by Boku Undo

I also created cards for washes of Lipton Black Tea and Sencha Green Tea. Lipton Tea is an old favorite while Sencha barely showed even after six washes.

I am looking for mediums that can produce a soft and subtle tone, although I say this while reading a book on Van Gogh as Master Draughtsman, whose use of oils were suitable for something more aggressive and exalting.

I mention him here only because I know I can admire his work while knowing I do not make the same choices for my own work as he had for his. I think it’s important to develop a sense of what your choices will be. I don’t want to reduce the creative process to a matter of taste, because one’s approach and intent also influence one’s choices, but at the same time I am guided by my sense of taste with almost every choice I make in the creation of a work.

Oasis (2020)

III

I want to go beyond relying on “intuition” and have a better sense of what I’m doing.

I think I may have been confusing intuition with taste.

Intuition, I believe, is the subconscious culling lessons learned and applying knowledge I might not be conscious of, while taste is a matter of what is pleasing to me. The latter is a product of my personal experience and my current frame of mind.

IV  

I’ve been breaking down the idea of being creatively blocked, at least for myself. I had to first see my overall work as going beyond any individual work. Being aware of my own frame of mind helps me change my approach from following how I feel intuitively to being conscious of the idea I’m responding to, asking questions and observing the idea at play.

Seeing my creative process as a way to explore, I had a silly notion that the more I know the less creative I would be. I say silly because I couldn’t possibly run out of things to explore. Moreover, being creative is equally driven by a desire to express oneself.

I think about how artists might go through multiple phases throughout one’s career, and I don’t think a change in one’s approach or intent for one’s work will necessarily change one’s style; although having seen more and learned more, one’s style might evolve.

When thinking about the style of a given artist, I ask myself, Do I see the same artist in one’s early work as I do in one’s later work?

V

It is important to know what I want to get out of being creative.

Overall, being creative is a way for me to think freely, and to do this, I have to see more and know more. I have to live my life. I have to engage with the world around me.

Of course, I don’t have to do everything all at once. I can manage my creative impulses on my own terms.

I believe there is a balance between engaging with others and being honest with what one shares.

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