There were a couple of problems.
1. I thought my first problem was a lack of nifty, one-day projects. (I could only think of bigger projects, and for those I found myself procrastinating, while telling myself that I was waiting for the ideas to percolate.)
Believing this to be my first problem was a problem.
I finally picked up a brush when a “nifty” idea occured to me, and this had a lovely domino effect.
2. I wanted to make use of a set of Japanese watercolors.
I’d only made color cards, by applying a wash over individual sheets of cold press watercolor paper, each cut down to just larger than a playing card.
When they dried, they curled, and despite having them underneath heavy books for a month or so, they wouldn’t remain flat. (I’ve heard of “stretching paper,” but I’ve procrastinated on that too.)
Solution: xuan paper which dries very well.
3. I wanted to compile a “book” of my “sketches” on xuan paper but the material is very thin. Creating a traditionally designed book made only of xuan paper didn’t pan out even in my imagination.
Solution: I folded a sheet of xuan paper into a “book,” which allowed me to avoid stitching pages into signatures.
4. I hadn’t posted anything in a while.
5. I had stopped reading.
Solution: I would post something about the “book” I was making.
6. I applied a wash again of each color to each panel, but it wasn’t enough for a good post. (Yes, I let the idea of what others might think have an influence on my creative life.)
Solution: I browsed through the many books I own and looked for ideas.
7. I had a few books that had been waiting to be read for… well, a long time.
Solution: Peach Blossom Spring: Gardens and Flowers In Chinese Paintings by Richard Barnhart
(I have not really sat down with this, but from what I can tell, it looks anecdotal, which I think is the best way to write about art history.)
Below is the “book” unfolded. There are eight panels and the upper middle panels are each only attached on one side.
When you fold it in half, you see the first two panels (besides the “covers”) and the last panel.
The first two panels are based on a part of Plum Blossoms By Moonlight by Ma Yuan, who was actively painting 1190-1225. (p 21)
Here’s the “book” with the two upper middle panels folded in.
The lower bottom middle panels are the third and fourth panels. For the third panel, I was looking at the flowers in Carnations and Amaranthus by Yun Shou-p’ing (1633-1690) (p 84)
For the fourth panel, I was looking at Tree Peonies (1688) by Yun Shou-p’ing (p 87)
Here’s the book folded in half and the middle panels have been flipped to reveal the third, fourth and fifth panels.
For the fifth panel, I was looking at the leaves of One Hundred Flowers by Yun Shou-p’ing (p89)
For the sixth and final panel, I was looking at the rocks or depictions of mountainside in Peach Blossom Spring (1719) by Huan Chiang (active ca 1690 – 1746) (p 115)
I have to be more patient with waiting for the wash to finish drying before adding fine lines, so it got muddled there (and elsewhere), but hopefully I’ll improve with more practice.
Below is the book neatly folded.
Folded, it’s about 5″ x 6.” The paper didn’t exactly dry smooth, but it didn’t get warped either, with some parts more stretched than others. Instead, the pages are wrinkled and only because I creased them when applying the wash.