The following is from my post, “What’s the big idea?” You may think these ideas are unimportant when it comes to actually producing works of art, but I think having an idea of what one believes is beautiful is at the heart of one’s approach to one’s own work. I know, this view is very […]Read More But is it art?
Over the years, I have amassed over 420 books. I buy some, I trade some. I’ve actually sold a few I’d purchased on Amazon back to Amazon buyers for cash (via the link where you don’t see who the buyer is) and then a few years later bought the exact same books back. I have […]Read More New Year’s Resolution
I want to continue a couple of threads I left hanging in my last post, Zen Seeing, Zen Drawing. (Anything in blockquotes is from that post.) Franck anticipated that “Fundamentalist Zenists may… question [Zen Drawing’s] validity as Zen practice.” (p. 25) I glossed over this because Franck doesn’t address this question directly. He only continues to […]Read More The Paradox of Zen Drawing
by Frederick Franck Let me first say that the concept — Zen — is thought of by the experts as indefinable. I got this from my mother when she was reading a book devoted to the subject. (Isn’t that funny?) Only after she’d gone through a couple of chapters, could she say that it meant […]Read More Zen Seeing, Zen Drawing (1993)
There are so many art books you can find online alone. One in particular is Kimon Nicolaides’ The Natural Way to Draw. It emphasizes the importance of the work itself by offering a series of schedules of exercises. You may know the line, “Don’t think. Do.” Well, this book is telling you to think and […]Read More Nicolaides and Me