Study of a Mourning Woman (Part 2)

This is continued from Study of a Mourning Woman (Part 1). In that post, I made comparisons between my experiences with drawing Durer’s L’Annonciation and this drawing, by Michelangelo. I also made notes on why I think it’s a good picture, which in a word is its presence and which is achieved by creating the […]

Read More Study of a Mourning Woman (Part 2)

Study of a Mourning Woman (Part 1)

Michelangelo vs Durer What makes this a great drawing isn’t in how delicate the lines are. Unlike Durer, you don’t see how pretty a single line flows to and from another. You see bigger “moves,” like the posture of the body and the contrast of the lighter areas with the darker areas, depicting a source […]

Read More Study of a Mourning Woman (Part 1)

More Da Vinci

Here’s Da Vinci’s Anatomical Study of a Bear’s Foot, circa 1490, which I copied from Frank Zollner’s Leonardo Da Vinci: Complete Paintings and Drawings. First impressions: Love/awe of the machinations of a bear’s biology. Visual rhythm in the metacarpals allowed to “shine” in simple lines and contrast between dark ink and white highlighting. And the […]

Read More More Da Vinci

Nicolaides and Me

There are so many art books you can find online alone. One in particular is Kimon Nicolaides’ The Natural Way to Draw. It emphasizes the importance of the work itself by offering a series of schedules of exercises. You may know the line, “Don’t think. Do.” Well, this book is telling you to think and […]

Read More Nicolaides and Me